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"Beethoven's 'Piano Concerto No. 4' was the piece with which Glenn Gould made his orchestral debut when he was 13, and he performed it more often than any of the composer's other concertos. This recording, with Leonard Bernstein conducting the New York Philharmonic, was made in 1961. Gould's performance is thoughtful, nuanced, and not at all eccentric. What's most striking about his playing is the degree to which he's able to bring out the individuality of the contrapuntal lines. His performance is extremely graceful. The opening of the first movement is luxuriantly fluid and sensuous, and the rhythmically driven sections are delicate and cleanly articulated. It's an understated performance that perfectly suits the character of this most subtle of Beethoven's piano concertos and Gould hides the work's technical demands by making the music seem effortless and spontaneous. Bernstein leads a soulful reading that's not at all flashy, which reveals the work's substance without putting a hugely individualistic stamp on it. The New York Philharmonic's sound is warm and full, and the playing is absolutely secure." — All Music Guide
Allegro Moderato Andante Con Moto Rondo: Vivace
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相關專輯
同藝人系列
顧爾德演奏貝多芬:鋼琴奏鳴曲第一至三號、第五至十號、第十二至十八號、第二十三號、第三十至三十二號 Piano Sonatas Nos. 1-3; 5-10; 12-14; 15-18; 23; 30-32
顧爾德演奏巴哈：英國組曲、法國組曲 English Suites BWV 806-811; French Suites BWV 812-817; Overture in the French Style BWV 831
