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Just one year after his utterly unexpected death at the age of 84 – which truly came far too soon, given his youthful energy – the true greatness of Lorin Maazel is becoming ever more obvious. Given his evident virtuosic mastery of his handicraft,
It is easy to overlook the modesty of his interpretive approach. He was perhaps the most consummate of conductors, but placed himself wholly at the service of the work. He never imposed his own subjective style or any foreign concept on a work. This was also true of his exemplary Fidelio, given just one year after he assumed the directorship of the Vienna State Opera (the whole background to this, including a recapitulation of the performance history of the work and much more besides, is offered in an engaging article in the accompanying booklet from the pen of Gottfried Kraus, a contemporary witness who is himself a living legend). In conducting terms this was a "modern", slimline, flexible Fidelio. The highly dramatic soprano of Eva Marton is here matched by a top-class cast of men, featuring Tom Krause, Theo Adam, Aage Haugland, Thomas Moser, and – in one of his star roles – James King as Florestan.
L.v. Beethoven: Fidelio op. 72
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