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One man who appreciated the late BOhm, and who had invited him to perform during his own time as Festival He can be heard now in a programme from his middle period that well demonstrates the power of his interpretive art – an art that today, with all our fads and fashions, seems timeless in comparison. He conducts two tone poems by Richard Strauss. In Also sprach Zarathustra both the Maestro and his orchestra offer an unbridled testament to their prowess. The variation work Don Quixote is an even bigger challenge (though the artfulness of its form is just as artfully concealed), and it offers far more humour, too. Strauss might mock his critics in Zarathustra, but in Quixote he offers an even more raucous commentary in the shape of a bleating flock of sheep. The soloists Pierre Fournier and Rudolf Streng admirably master the challenges of their parts. And we here find confirmed once again that while Karajan's live performances are (naturally) less perfect than his studio productions, they offer far more in comparison, even in matters of his legendary orchestral sound.
R. Strauss: Don Quixote op. 35
R. Strauss: Also sprach Zarathustra op. 30 (Tone Poem after Friedrich Nietzsche)
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