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Waxwork Records in partnership with Milan Records is thrilled to release POOR THINGS Original Motion Picture Soundtrack by multi-instrumentalist, producer, and composer Jerskin Fendrix. The album features original score music written by Fendrix for director Yorgos Lanthimos’ new feature film starring and produced by Emma Stone. Utilizing a palette of woodwind instruments and synthesized, breathy vocal samples, the score captures not only the distinct world of Poor Things but also acts as a sonic companion to main character Bella’s journey, expanding to encompass new textures and sounds as the film progresses.
Having never previously collaborated with a composer, Poor Things director Yorgos Lanthimos first approached Jerskin Fendrix after discovering the musician’s solo debut album, which the director found instinctively aligned with his worldbuilding aspirations for Poor Things. Fendrix began his first-ever foray into film composition with only the film’s script and conversations with Lanthimos as a guide, drawing early inspirations for instrumentation and tone from the vivid surrealism of the film’s various production elements.
“I wanted to have a lot of instruments that involved air and mechanics to match this kind of bizarre bionic thing going on,” recalls Fendrix of the process. “So a lot of woodwind. I really like instruments that breathe for themselves – which seems apt for the biomechanics of the film – so pipe organs, uilleann pipes (which are like Irish bagpipes), a lot of synthesized breath and voice stuff. That was a big part of the textural aspect.”
Having never previously collaborated with a composer, Poor Things director Yorgos Lanthimos first approached Jerskin Fendrix after discovering the musician’s solo debut album, which the director found instinctively aligned with his worldbuilding aspirations for Poor Things. Fendrix began his first-ever foray into film composition with only the film’s script and conversations with Lanthimos as a guide, drawing early inspirations for instrumentation and tone from the vivid surrealism of the film’s various production elements.
“I wanted to have a lot of instruments that involved air and mechanics to match this kind of bizarre bionic thing going on,” recalls Fendrix of the process. “So a lot of woodwind. I really like instruments that breathe for themselves – which seems apt for the biomechanics of the film – so pipe organs, uilleann pipes (which are like Irish bagpipes), a lot of synthesized breath and voice stuff. That was a big part of the textural aspect.”
1. "Bella
2. Wee
3. Bella and Max
4. Mother of God
5. Victoria
6. Reanimation
7. Bella and Duncan
8. I Just Hope She S Alright
9. Lisbon
10. Quarto [Soundtrack Version]
11. Portuguese Dance I
12. Portuguese Dance Ii
13. Goodbye Later Dove
14. Duncan and Martha
15. Alexandria
16. Paris
17. Bella / Les Yeux Bleus / Estore S Song
18. London
19. Alfie
20. Alfie and Victoria
21. Bella, Max and God
22. Poor Things Finale and End Credits"
2. Wee
3. Bella and Max
4. Mother of God
5. Victoria
6. Reanimation
7. Bella and Duncan
8. I Just Hope She S Alright
9. Lisbon
10. Quarto [Soundtrack Version]
11. Portuguese Dance I
12. Portuguese Dance Ii
13. Goodbye Later Dove
14. Duncan and Martha
15. Alexandria
16. Paris
17. Bella / Les Yeux Bleus / Estore S Song
18. London
19. Alfie
20. Alfie and Victoria
21. Bella, Max and God
22. Poor Things Finale and End Credits"
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