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“Both a challenge and an adventure, the recording I made of the Études by Debussy lives on as a wonderful memory of friendship. Having encouraged me to record the complete set of twelve works, my friend and respected colleague Catherine Collard, an irreplaceable artist and great admirer of Debussy, did me the honour of acting as artistic director. Her unobtrusive presence and sensitive, insightful feedback gave me wings. […] Taking the genre beyond the dry term of “study”, Debussy and Chopin, true geniuses the pair of them, dazzle and move their listeners. Within this music lies life, anything but abstract.”
Anne Queffélec, 2023
A pianist whose exceptional intelligence and sensitivity draws on her effervescent spirit, Anne Queffélec is consistently notable for her insight and eloquence. Gramophone magazine has described her recordings thus: ‘Delicious playing …’, ‘Outstanding … thoughtful, poetic …’, ‘Articulate, clear-textured and vivacious …’
Anne Queffélec, 2023
A pianist whose exceptional intelligence and sensitivity draws on her effervescent spirit, Anne Queffélec is consistently notable for her insight and eloquence. Gramophone magazine has described her recordings thus: ‘Delicious playing …’, ‘Outstanding … thoughtful, poetic …’, ‘Articulate, clear-textured and vivacious …’
A1 I-Pour Les "Cinq Doigts" D'après Monsieur Czerny
A2 II-Pour Les Tierces
A3 III-Pour Les Quartes
A4 IV-Pour Les Sixtes
A5 V-Pour Les Octaves
A6 VI-Pour Les Huit Doigts
B1 VII-Pour Les Degrés Chromatiques
B2 VIII-Pour Les Agréments
B3 IX-Pour Les Notes Répétées
B4 X-Pour Les Sonorités Opposées
B5 XI-Pour Les Arpèges Composés
B6 XII-Pour Les Accords
A2 II-Pour Les Tierces
A3 III-Pour Les Quartes
A4 IV-Pour Les Sixtes
A5 V-Pour Les Octaves
A6 VI-Pour Les Huit Doigts
B1 VII-Pour Les Degrés Chromatiques
B2 VIII-Pour Les Agréments
B3 IX-Pour Les Notes Répétées
B4 X-Pour Les Sonorités Opposées
B5 XI-Pour Les Arpèges Composés
B6 XII-Pour Les Accords
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