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Thanks to new developments in valve technique, the ranges of the original, natural brass instruments
were expanded during the fi rst half of the nineteenth century. The customary “brass harmonic
sound,” originally very simple, was now available at once for fully fl edged solos for these
instruments within the orchestral context. Classical and romantic composers eagerly expanded
their expressive palettes with this new acquisition. Nonetheless, virtuosos of the up-and-coming
generation playing these new instruments were relatively rare at fi rst, despite the existence of
many good, even prominent brass players. Composers thus wrote correspondingly few solo and
chamber works in this genre.
This situation underwent a fundamental change during the twentieth century. The trailblazing successes
of soloists and ensembles encouraged the development of young talent. This resulted in an
increasing expansion of the repertoire, tending away from the arrangement of popular works of
the baroque and classical eras and towards the composition of original works. The present selection
of compositions by John Cheetham, Eugene Bozza, Vincent Persichetti, Leonard
Bernstein, Witold Lutoslawski, Andre Previn and Kerry Turner, performed by the Brass
Quintet München offers an interesting and entertaining glimpse into the modern brass repertoire.
This fi rst-class ensemble (Hannes Läubin, trumpet · Thomas Kiechle, trumpet · Luiz García,
horn · Thomas Horch, trombone · Alexander von Puttkame, tuba), made up of solo brass
players from the Bavarian Radio Symphony Orchestra and other renowned German orchestras,
guarantees musical enjoyment on the very highest level.
JOHN CHEETHAM (*1939): A Brass Menagerie
EUGÈNE BOZZA (1905-1991): Sonatina
LEONARD BERNSTEIN (1918-1990): Dance Suite
VINCENT PERSICHETTI (1915-1987):
Parable II for Brass Quintet Opus 108
WITOLD LUTOSLAWSKI (1913-1994):
Mini Ouverture
ANDRÉ PREVIN (*1929): Four Outings for Brass
KERRY TURNER (*1960): Ricochet
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